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Lombard璽??s dissenting effect is different but just as strong 璽?? stronger, perhaps. She is elegant, a little languid, plays down the affectations the script gives her, has an air of calm sincerity when she pretends to like the sinister spy who is trying to get her to say 璽??Heil Hitler璽??. We don璽??t feel she璽??s not there, in the plot, in Poland. But there is something so luminous, so unruffled and alive about her face and her gestures that the plot shrinks around her, and Poland becomes, as anywhere would, her real native country: the movies. Lombard died in a plane crash before the film opened, and if we know this fact it璽??s hard to keep it out of our minds as we watch her. The film literally says what Roland Barthes says all still photographs say: this person is going to die. But even without this fact, as Lubitsch must have known, Lombard refutes his Nazi world whereas Benny only suspends it. Benny knows how to be ridiculous with style, but no one could make Lombard look ridiculous at all.
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